3d pencil drawing black and white
Drawing with Colored Pencils
Colored pencils are an heady medium. While sometimes overlooked every bit a professional medium, colored pencils are capable of producing works that resemble paintings. They allow the creative person an incredible corporeality of control over the application, leading to highly detailed and developed imagery.
I'd like to share with y'all my very best colored pencil tips. Each of them are highlighted in the video below, but details on each tip can be found further down the page.
My Very Best Tips For Drawing with Colored Pencils...
#1 - Use Professional person Pencils
The quality of pencil that y'all use for your drawings is very important and directly influences your success. Using a lower quality pencil will produce lower quality results. In the same way, using a higher quality pencil will increment your chances of success.
Although lower quality pencils are much cheaper, try to avoid them. They but won't behave in the aforementioned manner as college quality pencils and you're probable to come across some frustration.
There are several brands of pencil that are considered "high quality". While the price is a bit higher, it is well worth the investment. If you'd like to know which brands of colored pencils that I have had experience with, and recommend, check out The Colored Pencil Comparing Chart.
#2 - Use a Hand-Held Pencil Sharpener
Colored pencils generally are either wax-based or oil-based. (I am excluding watercolor pencils, water-soluble graphite pencils, and Inktense pencils since these pencils aren't technically "colored pencils".)
The designation of the pencil (oil or wax) is based on the binder used to hold the pigment. The folder of wax-based or oil-based pencils can destroy a pencil sharpener. The binder builds upwardly in the sharpening mechanism and somewhen can crusade the sharpener to no longer office.
For this reason, I suggest using a simple manus-held pencil sharpener. It is easy to use, inexpensive, and only gets the chore washed.
#3 - Consider the Drawing Surface
It'southward easy to overlook the importance of the drawing surface. Sometimes we just "can't wait" to start making marks that we forget to consider how the surface will affect the resulting image.
While there are many different surfaces that will have colored pencils, there are two chief factors to consider - the texture (molar) and the tone of the newspaper.
The texture (tooth) of the paper plays a vital function in how your marks will conduct on the surface. Smoother surfaces, like Bristol newspaper, produce smoother applications. While a smoother surface will give you lot a bit more control over the particular in the image, it also may limit the number of layers of colour that can be accepted.
Rougher textures, like watercolor paper or Mi-Teintes pastel paper, may limit the details that you lot are able to produce initially. Only, these papers are more accommodate to accepting multiple applications of color. After multiple layers have been added, and burnished, details are much easier to achieve.
The tone of the paper is also of import and should be considered. Past default, about of u.s. go directly to using white paper. Information technology'due south what most of us are accustomed to, since nosotros live in a world of white newspaper.
There's nothing wrong with using white newspaper. Bristol paper, after all, is white. Merely white surfaces force u.s.a. to button the values darker, starting from ane extreme terminate of the value scale. It is more hard to brand comparisons betwixt the values and colors every bit nosotros add together them.
Starting with a toned surface, however, helps us by starting near the centre of the value scale. By starting in the "middle", we can "push" the values lighter and darker, making comparisons and evaluations a niggling easier.
#four - Consider the Pressure Placed on the Pencil
The pressure level placed on the pencil tin can affect the value and the intensity of the colour. When layering colors, this plays an important role. Yous shouldn't feel that all of your applications should be applied with the same pressure.
Adjusting the pressure level when mixing affects the intensity and the resulting colour. Experiment as you work to find the right combinations of pressure to produce the colors and values that you demand for your particular awarding.
#5 - Burnish Your Applications
Burnishing is the process of working the fabric into the tooth of the paper to produce smooth and solid applications of color. This is what transforms a colored pencil drawing into a colored pencil painting. Burnishing naturally happens in a colored pencil drawing when multiple applications are added and a waxy build up occurs.
This process tin be expedited using a few techniques. A light pencil can exist applied over the area with heavy force per unit area. White and Cream work all-time for this approach. Although the awarding is burnished effectively, this approach does touch the value of the resulting colour, making it a bit lighter.
A colorless blender can also be used to produce a burnished application. Colorless blenders are available as a pencil or mark. I prefer to utilize the pencil form, since information technology uses the same folder every bit the wax-based pencil.
Solvents can also be used to burnish applications. Many artists use alcohol or an alternative solvent such equally Turpenoid which can be applied over the colored pencil awarding with a soft brush.
#six - Layer Your Colors
In well-nigh circumstances, you lot'll find that applying just one color to a location in a drawing is not enough to produce representational results. Instead, multiple layers of colour are required.
Layering colors produces more depth in the color and leads to a more realistic delineation of the scene. Layered colors may be related or similar colors; or they may be complete opposites.
Layering colors of a different value or hue naturally mixes on the surface and mixed colors are always more than natural in their advent.
#vii - Mix Your Colors
Every bit colors are layered, they mix. This "mixing" may happen has the binder adheres to pigment practical in a previous application or through optical mixing. And since mixed colors appear more natural, you may wait for opportunities to mix colors.
Instead of reaching for that manufactured dark-green, mix your own by layering bluish and yellow. Y'all tin always go over the application with a manufactured green, but the color should appear more natural as the yellows and blues testify through.
#8 - Consider the Direction of the Strokes
Just as brush strokes in a painting tin can inform the viewer of the class and texture of the subject, the direction of the marks made with the pencil tin practise the same. This is peculiarly true when changes in value create the perception of lines.
If yous're not certain which management the strokes should exist pulled, but consider the cross contours of the form of the subject. By pulling strokes to align with the cross contours of the form, you can communicate a bit more to the viewer. Pull the strokes in a direction that contradicts the cross contours and you could make your drawing await flat.
#ix - Mix Your Own Blackness
Black and white are the strongest "colors" available and in the natural earth information technology's hard to find an instance of a true black or white. Black is then strong that it tin can make a drawing await apartment and synthetic. This is specially true when blackness is used unmixed in a colored pencil drawing.
To avoid producing a constructed advent in your cartoon, try mixing your own black. Instead of using that manufactured black, mix a dark brown and a dark blue. This ways layering ane color over the other and burnishing them into the surface.
I have plant that Dark Umber (Prismacolor Premiere) and Indigo Blue (Prismacolor Premiere) produce the best "black".
Not only does mixing a dark blue and a dark dark-brown produce a natural black, only it also allows the artist to command the temperature of the color that is produced. Want a warmer blackness? Add together more night chocolate-brown. Demand a cooler black? Add more of the dark bluish.
#10 - Build Up to a Heavy Awarding
Many beginning artists pick up colored pencils and apply them in the same mode as graphite pencils, allowing the "white" of the newspaper to touch the resulting value. This produces a light cartoon that may have color, but is far from looking like a polished painting.
Just past edifice upwards layered applications to announced "heavy", the look of a solid colored pencil "painting" starts to emerge. Although applications may be lightly layered, multiple burnished layers will pb to a "heavy" (and solid) look.
#11 - Develop Edges and Details Concluding
Details can be overwhelming - but only if you let them be. The good news is that details and edges can be developed and defined towards the end of the layering process. Since higher quality pencils tin be layered with ease, details can be added right over light to medium applications.
In essence, we can develop the colors and values in a section of the drawing and then refine the details and edges right over the elevation.
The only exception is in areas where the value is very light or even white. Highlights, for example, should be preserved and planned, since adding them over areas of colour is hard - if not impossible.
#12 - Exist Patient and Take Your Time
Mayhap the most important tip to share is simply to be patient. Colored pencils require a tiresome and meticulous arroyo. If you go into your drawing with this in mind, so your chances of success are greatly improved.
Many start artists make the mistake of believing that results should be quick. They go discouraged and frustrated when they don't see immediate results.
If you have your time, and work through each layer with patience, y'all're more than probable to find success with your colored pencil drawing.
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